While looking for post topics for today, I found out that today
is the anniversary of the opening of the Louvre as a public museum in
1793. Since I visited there on my recent trip (and got hopelessly lost
in their majorly twisty corridors, but that’s another story…), I thought
it would be fun to find out more about its development from palace to
vast museum! (FYI, the Louvre contains more than 380,000 objects,
ranging from the 6th century BC to the 19th century, with 35,000 on
display in more than 650,000 square feet. It averages 15,000 visitors a
day, and employs more than 2000. In 1986, with the completion of the
Musee d’Orsay, objects from after 1848 were moved there and the
collection was split)
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The
Louvre started in the 12th century, as a fortress built by Phillipe II.
Remnants of the fortress are still visible in below-ground galleries.
The building was then extended several times, until in 1674 Louis XIV
moved his court to the Palace of Versailles, leaving the Louvre mainly
as a place to display some of the royal collections. During the
Revolution, the National Assembly decreed the former palace a museum of
the people (“a place for bringing together monuments of the arts and
sciences”). It opened with an exhibit of 537 paintings, most of them
seized from royal and Church property.
The public was given free access three days a week, but the building
was closed in 1796 due to “structural deficiencies,” and not re-opened
until 1801, with displays now arranged chronologically and organized
with new columns and lighting.
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Under
Napoleon, the collections expanded greatly, thanks to works sent back
from Egypt, Spain, Austria, Holland, and Italy. After his defeat at
Waterloo, many former owners sought their return, which the Louvre’s
administrators were, er, reluctant to comply with. In response, many of
the restored foreign powers sent diplomats to seek out these works and
secure their return. (An echo of this was seen just before World War
II, when, on August 27, 1939, a long truck convoy left Paris taking
countless objects and paintings to new hiding spots. By December, the
museum was entirely cleared except for items too heavy or
“insignificant” to be moved. In 1945, the art came back).
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The
Louvre is best known for objects such as the Venus de Milo, Nike of
Samothrace, the Apollo Belvedere, Michelangelo’s “Slaves” sculptures,
David’s
Coronation of Napoleon (I stood in front of this for a long time studying the gowns!), Delacroix’s
Liberty Leading the People, Vermeer’s
The Lacemaker, and of course
Mona Lisa.
Some good sources to read more about the Louvre are Andrew McClellan’s
Inventing the Louvre; Bette Wynn Oliver’s
From Royal to National: The Louvre Museum and the Bibliotheque National; and Alain Nave’s
Treasures of the Louvre.
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What are some of your favorite museums, or works of art? What would you do if you were lost in the Louvre???
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