In the meantime, here are a few good reads I enjoyed in 2025. (I'm sure there were many more, but these have stuck with me!) What did you enjoy this year??
Oxford, 1920. For the first time in its one-thousand-year history, Oxford University officially admits female students. Burning with dreams of equality, four young women move into neighboring rooms in Corridor 8. Beatrice, Dora, Marianne, and Otto—collectively known as The Eights—come from all walks of life, each driven by their own motives, each holding tight to their secrets, and are thrown into an unlikely, unshakable friendship.
Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Politically-minded Beatrice, daughter of a famous suffragette, sees Oxford as a chance to make her own way - and some friends her own age. Otto was a nurse during the war but is excited to return to her socialite lifestyle in Oxford where she hopes to find distraction from the memories that haunt her. And finally Marianne, the quiet, clever daughter of a village pastor, who has a shocking secret she must hide from everyone, even her new friends, if she is to succeed.
Among the historic spires, and in the long shadow of the Great War, the four women must navigate and support one another in a turbulent world in which misogyny is rife, influenza is still a threat, and the ghosts of the Great War don’t always remain dead.
Florrie Butterfield—eighty-seven, one-legged, and of cheerful disposition—believes there can't be any more adventures or surprises in life to experience. Yet one midsummer’s evening, there’s an accident at Babbington Hall—the adult residence where she lives—so shocking and strange that Florrie is suspicious; is this really an accident? Or is she being lied to? Is she, in fact, living alongside a potential murderer? In her efforts to learn the truth, Florrie is forced to look back on her own life, with all its passions and regrets; she must confront her own bloody secret—and, at last, forgive herself. Above all, Florrie learns, through the help of her new friend, Stanhope, that you’re never too old to have the life you’ve always dreamed of. When it comes to love, it’s never too late.
The notoriously eccentric Lord Christopher Eden is a “man of unusual make” and even more unusual habits: he prefers to live far from the prying eyes and ears of the ton, and would rather have the comfortable company of his childhood cook and his aged butler than the swarm of servants and hangers-on befitting a man of his station. But Christopher’s pleasant, if occasionally lonely life is upended when he receives word from his lawyers that, according to his late father’s will, he must find a wife by the end of the Season if he intends to keep his family’s fortune and the Eden estate. Christopher cannot imagine a worse fate: as he isn’t attracted to women, his chances of making a wife happy are slim. Furthermore, if his quest to marry has any hope of succeeding, he must move to London posthaste and acquire some more suitable staff.
Enter James Harding, Christopher’s new, distractingly handsome—if rigidly traditional—valet. After a rocky start, the two strike up a fragile friendship amid the throes of the London Season . . . a friendship that threatens to shatter under the looming shadow of Christopher’s impending nuptials—and the secrets both men are keeping. With its heady combination of dry wit, slow-burn romance, and a nuanced portrait of trans identity, A Gentleman’s Gentleman stands to transform the historical romance genre as we know it.
Zelda Fitzgerald is bored, bored, bored. Although she’s newly married to the hottest writer in America, and one half of the literary scene’s "it" couple, Zelda is at loose ends while Scott works on his next novel, The Beautiful and the Damned.
Meanwhile, Atlanta journalist Morris Markey has arrived in New York and is lost in every way possible. Recently returned from the war and without connections, he hovers at the edge of the city’s revels, unable to hear the secrets that might give him his first big story.
When notorious man-about-town Joseph Elwell is found shot through the head in his swanky townhouse, the fortunes the two southerners collide when they realize they were both among the last to see him alive. Zelda encountered Elwell at the scandalous Midnight Frolic revue on the night of his death, and Markey saw him just hours before with a ravishing mystery woman dressed in green. Markey has his story. Zelda has her next adventure.
As they investigate which of Elwell’s many lovers—or possibly an enraged husband—would have wanted the dapper society man dead, Zelda sweeps Markey into her New York, the heady, gaudy Jazz Age of excess and abandon, as the lost generation takes its first giddy steps into a decade-long spree. Everyone has come to do something, the more scandalous the better; Zelda is hungry for love and sensation, Markey desperate for success and recognition. As they each follow these ultimately dangerous desires, the pair close in on what really happened that night—and hunt for the elusive girl in the green dress who may hold the truth.
Based on the real story of the unsolved deaths of Joseph Elwell and New Yorker writer Morris Markey, Mariah Fredericks’s new novel is a glittering homage to the dawn of the Jazz Age, as well as a deft and searing portrait of the dark side of fame.
In repressive Elizabethan England, artists are frightened into dull conventionality; foreigners are suspect; popular entertainment largely consists of coarse spectacles, animal fights, and hangings. Into this crude world of government censorship and religious authoritarianism comes an ambitious cobbler’s son from Canterbury with a daring desire to be known—and an uncanny ear for Latin poetry. A torment for most schoolboys, yet for a few, like Christopher Marlowe, a secret portal to beauty, visionary imagination, transgressive desire, and dangerous skepticism.
What Marlowe seizes in his rare opportunity for a classical education, and what he does with it, brings about a spectacular explosion of English literature, language, and culture. His astonishing literary success will, in turn, nourish the talent of a collaborator and rival, William Shakespeare.
Dark Renaissance illuminates both Marlowe’s times and the origins and significance of his work—from his erotic translations of Ovid to his portrayal of unfettered ambition in a triumphant Tamburlaine to Doctor Faustus, his unforgettable masterpiece about making a pact with the devil in exchange for knowledge. Introducing us to Marlowe’s transgressive genius in the form of a thrilling page-turner, Stephen Greenblatt brings a penetrating understanding of the literary work to reveal the inner world of the author, bringing to life a homosexual atheist who was tormented by his own compromises, who refused to toe the party line, and who was murdered just when he had found love. Meanwhile, he explores how the people Marlowe knew, and the transformations they wrought, gave birth to the economic, scientific, and cultural power of the modern world including Faustian bargains with which we reckon still.
For Dan Jones, Henry V is one of the most intriguing characters in all medieval history, but one of the hardest to pin down. He was a hardened, sometimes brutal warrior, yet he was also creative and artistic, with a bookish temperament. He was a leader who made many mistakes, who misjudged his friends and family, but he always seemed to triumph when it mattered. As king, he saved a shattered country from economic ruin, put down rebellions, and secured England’s borders; in foreign diplomacy, he made England a serious player once more. Yet through his conquests in northern France, he sowed the seeds for three generations of calamity at home, in the form of the Wars of the Roses.
Henry V is a historical titan whose legacy has become a complicated one. To understand the man behind the legend, Jones first examines Henry’s years of apprenticeship, when he saw the downfall of one king and the turbulent reign of another. Upon his accession in 1413, he had already been politically and militarily active for years, and his extraordinary achievements as king would come shortly after, earning him an unparalleled historical reputation. Writing with his characteristic wit and style, Jones delivers a thrilling and unmissable life of England’s greatest king.
Dieudonné, the Comte de Montreau, steps in when he catches a disreputable suitor trying to ruin his friend, heiress Evena. Only to accidentally compromise her himself, forcing them to wed!
Dieudonné might be the man who occupies Evena’s thoughts, but he’s not the well-connected nobleman she needs to help her ailing father. And now, as they head to the altar, their friendship is in jeopardy, too! Could her convenient husband ever see her as more than a burden…and could their bond become something even more thrilling?
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