Sunday, February 28, 2010
Austen Box (this store, Just Be Designs, has lots of lovely items, including an Anne Boleyn charm bracelet I covet...)
Saturday, February 27, 2010
About the age of 10 she became the "apprentice" of an Italian rope dancer named Violante, and found she had an aptitude for performance. She soon found a role as Polly in a "Lilliputian" production of The Beggar's Opera and her career was launched. Dublin was big theater city in the Georgian era--its residents loved to attend performances of all sorts, and there was much opportunity for actors and actresses in its many venues. Peg took on jobs there until about 1740, when her big hit as Sir Harry Wildair in The Constant Couple led to a job at London's Covent Garden. She later moved over to Drury Lane where she appeared for several years as one of their big stars (her biggest hit there was as Sylvia in The Recruiting Officer). Her career then took her back to Dublin.
Her best roles were comedic (she was said to have haf little aptitude for Sarah Siddons-style tragedy), breeches roles and ladies of fashion. She was also famous for her great beauty and bold lifestyle. She lived openly for many years with the famous actor David Garrick, and also enjoyed liaisons with men like the Earl of Darnley and the MP Charles Williams, which were the "talk of the town" and very scandalous! She was also friends and a sort of mentor to the notorious Gunning sisters (actresses and courtesans who went on to marry very highly), and a rival to Kitty Clive. She was president, and the only female member, of Sheridan's famous Beefsteak Club in Dublin. All this while looking after her mother and sister Mary.
She and Garrick split in the 1740s for mysterious reasons, and she took a house in Teddington which she kept until her death. On May 3, 1757, while onstage as Rosalind in As You Like It, she collapsed of an apparent stroke. She was mostly bedridden after that, dying on March 26, 1760 at her home in Teddington and was buried there at the church of St. Mary's.
A couple good sources on her life are:
Janet Camden Lucey, Lovely Peggy: The Life and Times of Margaret Woffington
Janet Dunbar, Peg Woffington and Her World
Friday, February 26, 2010
Thursday, February 25, 2010
When I first saw these costumes, I hoped it was a program about Edward Scissorhands. How awesome would that be--Edward Scissorhands on Ice??? I hope someone gets on that one soon. This turned out to be about "Time and Despair" or something...
There were LOTS of numbers with the theme "Hoedown at the Truck Stop" for some reason. It's very sad everyone thinks the US is all about cut-off shorts and miniskirts made of Big Bird.
And the Russians, who always bring the crazy! (Also, bring the crybaby-ness, thanks to Plushenko and these two whose names I have forgotten...) This was pretty good, sort of "Mad Men" ish, I love her bun, not bad at all!
Then there was this, the infamous "Aboriginal" number, which was just as completely, outrageously nutball as I had hoped after reading about it--and more. This was just a Very Bad Idea from start to finish and I am not sure why they went through with it (especially after being given NUMEROUS talkings-to by the Australian government).
Then they had--this. I am not even sure what this is. And using those weird ropes to help them with their lifts, very sneaky...
The Canadian gold medal winners Virtue and Moir--LOVE them! Their costumes and music were comparatively simple and very pretty and evocative, their skating very skilled, and they were a joy to watch. Yay Canada!
The American silver medalists Davis and White--I wasn't too sure about them at first, but ended up loving them, too. I mean, they had one number that was Bollywood-themed and one that was Phantom of the Opera, what is not to love??? And they skated the heck out of both of them. Yay, United States!
Americans Belbin and Agusto--I was disappointed with them and their flashy costumes, sadly. They seemed sort of weirdly half-hearted in their performances, and I thought when they first came out this was going to be an Elvis program. Sadly it wasn't (some sort of bombastic, pseudo-church-y music), and I think coming right after the Canadians' elegant Mahler-set program didn't help....
This is HILARIOUS.
And I know he's not an ice dancer, but I had to add him here! I heard the mean Canadians didn't invite poor Johnny Weir to the closing skating gala, which is a shame. What's a gala without his version of Pokerface???
What was your favorite skater this year?
Wednesday, February 24, 2010
Tuesday, February 23, 2010
Today marks the anniversary of the death of John Keats in 1821. Keats is my favorite of the Romantic poets (and I loved the movie Bright Star last year), and it's hard to pick just one poem for the blog. Here is his La Belle Dame Sans Merci, published in 1820:
Ah, what can ail thee, wretched wight,
Alone and palely loitering;
The sedge is wither'd from the lake,
And no birds sing.
Ah, what can ail thee, wretched wight,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
I see a lily on thy brow,
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.
I met a lady in the meads
Full beautiful, a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.
I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.
I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.
She found me roots of relish sweet,
And honey wild, and manna dew;
And sure in language strange she said,
I love thee true.
She took me to her elfin grot,
And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
So kiss'd to sleep.
And there we slumber'd on the moss,
And there I dream'd, ah woe betide,
The latest dream I ever dream'd
On the cold hill side.
I saw pale kings, and princes too,
Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
Hath thee in thrall!"
I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke, and found me here
On the cold hill side.
Alone and palely loitering,
Though the sedge is wither'd from the lake,
And no birds sing.
Monday, February 22, 2010
Sunday, February 21, 2010
Saturday, February 20, 2010
This awkwardness, which would be a liability in the marriage market, prompted Caroline in 1786 to look for a new governess, a woman of discipline and strong morals, who could get Margaret into proper shape. A friend recommended Mary Wollstonecraft. In retrospect this is a strange choice for the conservative Caroline--Wollstonecraft encouraged Margaret and her sisters to seek out education and abandon the elite way of thinking of their parents, believing children should be treated kindly and with a regard for their onw unique styles and ideas (ideas outlined in her 1788 book Original Stories from Real Life). She was only Margaret's governess for a year, but later Margaret wrote she "felt an unbounded admiration because her mind appeared more noble and her understanding more cultivated than any other I have known." Wollstonecraft was dismissed after arguments between her and Caroline escalated, but Margaret and Wollstonecraft kept up a correspondence for a long time after, and her influence was felt for the rest of Margaret's eventful life. (When Wollstonecraft's daughter Mary Shelley was traveling in Italy with her husband in 1819, she stayed with Margaret in Pisa)
At age 19, Margaret bowed to her family's wishes and married Stephen Moore, Earl of Mount Cashell. They were very unhappy together, with incompatible temperments and ambitions, though they had 7 children together. Margaret raised them according to her own ideas, nursing and looking after them herself, and they all grew into healthy adulthood. She found consolation in her children, in her writing, and during the 1798 Uprising she became active in Irish politics, supporting the United Irishmen, writing pamphlets demanding Irish freedom from British rule and Catholic emancipation (despite her privileged position). After the failure of the Uprising, she and her family set off on Continental travels, though this only served to show her more of the world and further drive her apart from her husband. She also met a man named George William Tighe in Rome and fell in love.
In 1805, Margaret and her husband separated in 1805, and she was left in Germany with Tighe and her youngest daughter Elizabeth (who was still nursing). She was forced to give up her children (even, later, Elizabeth) and did not see them again, though she went on to have 2 daughters with Tighe (Laurette and Nerina). She and the earl were legally separated in 1812, and when he died in 1822 she and Tighe were married. She called herself "Mrs. Mason" (after a character in Original Stories) and went on to write her own book of tales for children, Stories of Old Daniel: or Tales of Wonder and Delight, a volume of Advice to Young Mothers on the Physical Education of Children, as well translating medical treatises from German. She started, but never finished, an epic historical novel about Ireland. She attended lectures at a medical school while living in Jena (disguised as a man), and spent the rest of her life acting as a physician and pharmacist to the poor around her and her own family. They ended up living in Pisa, where the warmer climate was considered better for her health. She and Tighe eventually lived in separate households, but were friends and companions for the rest of their lives.
Margaret died in Pisa in 1835, an independent spirit to the end.
Some sources for Margaret King's eventful life include:
Edwin McAleer, The Sensitive Plant: A Life of Lady Mount Cashell (the title is taken from the poem by Shelley, dedicated to her)
Janet Todd, Daughters of Ireland: The Rebellious Kingsborough Sisters and the Making of a Modern Nation
Friday, February 19, 2010
Thursday, February 18, 2010
I love perfumes, but it's been a while since I've found a new one to love! (So many of the new ones I try smell too much like a fruit salad, so I just go back to my old stand-bys, like Coco Mademoiselle! Though I'm looking forward to warmer weather when I can go back to using my bottle of DSH's Eau de Trianon every day). I was so happy to see this review of Balenciaga Paris at the Now Smell This blog.
I've been looking forward to this one because: 1) The name, of course! I'm a sucker for anything with "Paris" in the title (though I couldn't bring myself to try YSL Parisienne because Kate Moss is the spokesmodel...) 2) It's a violet chypre. I love violets (one of my favorite perfumes is Guerlain's Apres L'Ondee) 3) And because Charlotte Gainsbourg is the spokesmodel! I have such a girl-crush on her (shallow, I know). I finally got to do a sniff last weekend, and it smells wonderful. Not too heavy, not too fruity-sweet, modern but classic. As the review says, it's "quietly elegant," "modern and grown-up." And it smells "French" to me, perfect for a bike ride along the boulevards and dinner at a little neighborhood bistro. I will definitely be buying a bottle. Yay for new finds!
What are your favorite perfumes??
Wednesday, February 17, 2010
Tuesday, February 16, 2010
Monday, February 15, 2010
Sunday, February 14, 2010
Saturday, February 13, 2010
She was born Constance Gore-Booth in London on February 4, 1868, daughter of the Arctic explorer Sir Henry Gore-Booth and his wife Georgina, who were also landowners in Ireland, at the estate of Lissadell in County Sligo. WB Yeats was a childhood friend of Constance and her sister Eva, and they were the subjects of his poem In Memory of Eva Gore-Booth and Con Markievicz ("two girls in silk kimonos, both beautiful, one a gazelle"). In 1892 she went to study art at the Slade School in London, where she first became interested in political activisim, joining the National Union of Women's Suffrage Society. When she moved to Paris, she met her husband, Kazimierz Dunin-Markiewicz, a Ukrainian count. His first wife died in 1899, and he and Constance were married in 1901, with their daughter Maeve being born at Lissadell (the girl was raised by her grandparents and was later estranged from her mother). Constance also raised her husband's son, Nicolas, who returned to Poland as an adult.
The new family settled in Dublin to enjoy the artistic and literary circles of the city, with Constance gaining a reputation as a landscape painter and a founder of the United Artists Club. She also became involved with the Gaelic League (founded by future first president of Ireland, Douglas Hyde), a group dedicated to the preservation of Irish language and culture and also a magnet for those interested in nationalist politics. One of the members was Sarah Purser, who held a salon for artists and intellectuals where Constance met revolutionaries like Maud Gonne, John O'Leary, and Michael Davitt. In 1906, a holiday cottage was rented where the previous tenant, poet Padriac Colum, left behind copies of Sinn Fein and The Peasant, which she read and was launched into action.
In 1908, she joined Sinn Fein and Inghinidhe na hEireann (Daughters of Ireland), founded by Maud Gonne. When Constance arrived at her first meeting straight from a ball at Dublin Castle (seat of British rule in Dublin) in a gown and tiara, she was looked on with a bit of suspicion, which only seemed to make her more eager to join! She became ever more active in the suffragist cause, along with her sister. In 1909 she founded an organisation to instruct young men in the use of firearms, Fianna Eireann, and was jailed for the first time in 1911 for speaking at an Irish Republican Brotherhood gathering of nearly 30,000 to protest the visit of the king to Ireland. She founded a soup kitchen to feed poor school children, and organized meals for demonstrating workers.
In 1913, her husband moved back to Ukraine and never returned to live in Ireland, though they were never completely estranged. In 1916, she found herself at the center of the Easter Rising, holding the rank of officer in the ICA as second in command to Michael Mallin at St. Stephen's Green. She supervised the setting up of barricades and was in the middle of the fighting, wounding a sniper who fired at them from the rooftops of adjacent tall buildings. After the retreat to the nearby Royal College of Surgeons, she and Mallin held out for 6 days. They were taken to Dublin Castle, and Constance was then transferred to Kilmainham Gaol where she was held in solitary confinement. At her trial she declared "I did what was right and I stand by it." She was sentenced to death, but the sentence was commuted to life in prison. She was released in 1917 when a general amnesty was declared for those who participated in the Rising.
In less than a year she was back in jail for anti-conscription activities. In the 1918 general election she was elected for the constiuency of Dublin St. Patrick's to the House of Commons, but in life with the other 73 Sinn Fein MPs would not take her seat. She was in prison when her colleagues assembled for the first meeting of Dail Eireann, the Parliament of the Irish Republic, where she was described as being "imprisoned by the foreign enemy." She was re-elected to the Seond Dail in 1921 and served as Minister for Labour from April 1919 to January 1922.
She left the government in 1922 in opposition to the Anglo-Irish Treaty, and fought for her cause in the Irish Civil War, defending Moran's Hotel in Dublin. This led to more jail time, though she was released after only about a month and returned to politics. She died on July 15, 1927, possibly of tuberculosis, with her family reunited at her side. She was buried in Glasnevin Cemetery in Dublin, with Eamon de Valera giving the funeral oration.
This is only the tip of the iceberg with this event-filled life! There are lots of great sources, including:
Anne Marreco, The Rebel Countess: The Life and Times of Constance Markievicz (1967)
Diane Norman, Terrible Beauty: A Life of Constance Markievicz, 1868-1927 (1987)
Anne Haverty, Constance Markievicz: Irish Revolutionary (1993)
Joe McGowan, Constance Markievicz: The People's Countess (2003)