









An historical author shares her obsessions with books, tea, chocolate, wine, and whatever takes her fancy!

This weekend in history is rich in heroines' anniversaries! Louisa May Alcott died on this date in 1888, and almost 100 years later Georgia O'Keefe died in 1986. I love both these women and their work, but I decided to look at a woman I didn't know much about, Norwegian author Camilla Collett, who died March 6, 1895. Her novel The District Governor's Daughters is considered Norwegian literature's "first modern novel" as well as one of it's first feminist works. In A History of Norwegian Literature (ed. Harald Beyer) the novel is described as "a demand for the emotional and intellectual liberation of women" and "a breakthrough for the cause of sexual equality in Norway."
In 1834, Camilla went to France to study literature, and in 1841 she married Jonas Peter Collett (who was over 40 years her senior, and a high-ranking government minister!). Her brother died in 1845, and her husband in 1851, leaving her alone in the world with 2 young sons and financial difficulties. She soon after moved to Copehagen and wrote her novel, The District Governor's Daughters. It was published anonymously in 1854-55, and tells the tale of Sofie Ramm, who falls in love with Georg Kold, a tutor to her younger brother. The young lovers believe marriage should be based on love and not on family arrangements, but they are torn apart and Sofie forced to marry another, which leads to a life of misery. The introduction to the English translation (published in 1992) calls it a "portrait of the rigid Scandanavian society of the period," and remarks on its influence on the plays of Ibsen. It says, "Stylistically it bridges romanticism and realism...Jane Austen's comedies of manners and Charlotte Bronte's headstrong heroines coliding with Victorian ethics of female self-sacrifice."
It was also the first work in Norwegian literature to center on the lives of women at a time when women in Norway had almost no legal rights. A History of Norwegian Literature states, "she demanded a change of attitude, an understanding of the woman's heart. Into this she flung all her glowing passion, writing with bitterness and sympathy and an amazing boldness."

Costume: I'm weird, I know, but this is one of my very favorite categories! It's a good one this year, too, really you couldn't go wrong with any of the nominees. I think it will be Young Victoria, which I loved, but I would give the edge to Bright Star.
Austen Box (this store, Just Be Designs, has lots of lovely items, including an Anne Boleyn charm bracelet I covet...)
Happy Saturday, everyone! We wrap up our February of Irish heroines with a look at the actress Margaret "Peg" Woffington, born around 1720 in Dublin. Her early life is somewhat obscure, though her father was thought to be a bricklayer whose death left the family penniless, with only the money her mother could make as a laundress while Peg sold watercress in the streets.
She and Garrick split in the 1740s for mysterious reasons, and she took a house in Teddington which she kept until her death. On May 3, 1757, while onstage as Rosalind in As You Like It, she collapsed of an apparent stroke. She was mostly bedridden after that, dying on March 26, 1760 at her home in Teddington and was buried there at the church of St. Mary's.
Ah, what can ail thee, wretched wight,
Alone and palely loitering;
The sedge is wither'd from the lake,
And no birds sing.
Ah, what can ail thee, wretched wight,
So haggard and so woe-begone?
The squirrel's granary is full,
And the harvest's done.
I see a lily on thy brow,
With anguish moist and fever dew;
And on thy cheek a fading rose
Fast withereth too.
I met a lady in the meads
Full beautiful, a faery's child;
Her hair was long, her foot was light,
And her eyes were wild.
I set her on my pacing steed,
And nothing else saw all day long;
For sideways would she lean, and sing
A faery's song.
I made a garland for her head,
And bracelets too, and fragrant zone;
She look'd at me as she did love,
And made sweet moan.
She found me roots of relish sweet,
And honey wild, and manna dew;
And sure in language strange she said,
I love thee true.
She took me to her elfin grot,
And there she gaz'd and sighed deep,
And there I shut her wild sad eyes--
So kiss'd to sleep.
And there we slumber'd on the moss,
And there I dream'd, ah woe betide,
The latest dream I ever dream'd
On the cold hill side.
I saw pale kings, and princes too,
Pale warriors, death-pale were they all;
Who cry'd--"La belle Dame sans merci
Hath thee in thrall!"
I saw their starv'd lips in the gloam
With horrid warning gaped wide,
And I awoke, and found me here
On the cold hill side.
We continue our February of Irish heroines with a look at Margaret King Moore, Countess of Mount Cashell (later known as Mrs. Mason), who was a big inspiration when I was working on Countess of Scandal. She was born in 1771 to one of the most privileged families in Ireland, the 2nd of 12 children of Robert King, Earl of Kingston, and his wife Caroline Fitzgerald, who was the greatest heiress in Ireland. She and her siblings seldom saw her parents (who disliked each other, but were immensely social and loved to travel), and were mostly raised by servants, doctors, and a succession of governesses (in later life, Margaret turned against this sort of upbringing for her own children and became an advocate for a more naturalistic style). Her relationship with her parents was not helped by the fact that she grew into a tall, awkward girl, uninterested in fashion and society, very different from what her mother expected of her daughters.
I've been looking forward to this one because: 1) The name, of course! I'm a sucker for anything with "Paris" in the title (though I couldn't bring myself to try YSL Parisienne because Kate Moss is the spokesmodel...) 2) It's a violet chypre. I love violets (one of my favorite perfumes is Guerlain's Apres L'Ondee) 3) And because Charlotte Gainsbourg is the spokesmodel! I have such a girl-crush on her (shallow, I know). I finally got to do a sniff last weekend, and it smells wonderful. Not too heavy, not too fruity-sweet, modern but classic. As the review says, it's "quietly elegant," "modern and grown-up." And it smells "French" to me, perfect for a bike ride along the boulevards and dinner at a little neighborhood bistro. I will definitely be buying a bottle. Yay for new finds!
This week we continue with our look at Irish heroines (to celebrate the release of Countess of Scandal!) with Constance, Countess Markiewicz, politician, revolutionary, Irish nationalist, and suffragist (and also the first woman in Europe to hold a cabinet position, as Minister of Labour of the Irish Republic from 1919 to 1922. She was also the first woman elected to the British House of Commons, though she did not take her seat).
In 1913, her husband moved back to Ukraine and never returned to live in Ireland, though they were never completely estranged. In 1916, she found herself at the center of the Easter Rising, holding the rank of officer in the ICA as second in command to Michael Mallin at St. Stephen's Green. She supervised the setting up of barricades and was in the middle of the fighting, wounding a sniper who fired at them from the rooftops of adjacent tall buildings. After the retreat to the nearby Royal College of Surgeons, she and Mallin held out for 6 days. They were taken to Dublin Castle, and Constance was then transferred to Kilmainham Gaol where she was held in solitary confinement. At her trial she declared "I did what was right and I stand by it." She was sentenced to death, but the sentence was commuted to life in prison. She was released in 1917 when a general amnesty was declared for those who participated in the Rising.
She left the government in 1922 in opposition to the Anglo-Irish Treaty, and fought for her cause in the Irish Civil War, defending Moran's Hotel in Dublin. This led to more jail time, though she was released after only about a month and returned to politics. She died on July 15, 1927, possibly of tuberculosis, with her family reunited at her side. She was buried in Glasnevin Cemetery in Dublin, with Eamon de Valera giving the funeral oration.
The execution of Catherine Howard on February 13, 1542:




This month, to celebrate the release of my Irish-set Countess of Scandal, we're going to look at 4 Irish heroines, one each weekend! It's hard to narrow them down. We'll start with a mythological figure--Queen Maeve of Connacht, from the Ulster Cycle.
In "The Cattle Raid of Cooley," Maeve started out by insisting she always be equal in wealth with her husband, and wasn't happy when she found Ailill had one studd bull more than her. She found that the only better bull around was named Finnbennach, owned by a vassal of Conchobar's. She sent messengers, offering money, land, sex, whatever in exchange for the bull, but the owner refused and Maeve made preparations for war. She raised an army from all over Ireland, including a battalion of exiles from Ulster led by Conchobar's estranged son Cormac and his foster father Fergus, former king of Ulster himself and one of Maeve's ex-lovers (of course).